My approach to art has always worked best if I let things develop in a happenstance...not totally Dada...manner. I love blasting away at a darkened background and letting the subtleties unveil themselves...almost like ghosts emerging out from a Rothko painting...subletting my subconscious with Rorschach menageries. Then I begin letting the problem-solving auspicate my inclinations...dissect the plane into conjoined incongruities...administer imbalance and balance with point-counterpoint aesthetic injections...buoy roaming bits of color onto the undulating patterns.
As things start to congeal I dive in close to deliver as much excessive details as possible...I like working so close that the whole dissipates into a singular constituent...then, on lapses in mediated pain-Ting...I pull back to a more macro vision to see how I can join the whole...Frankenstein stitching...linking it back into the Gestating-Gestalt.
I keep up this madness till I achieve a dab bit sanguine of lucidity...or just say stop!
You might ask what does this painting mean...well, it is a bit of a satire of the "modern" nuclear family. After all we are all monsters...especially in our own families. This is a blended family...Dad and mum...a son from a previous marriage, three kids, mum's parents (giving disapproving glances to step-grandson), brother-in-law and his blended family, plus the ghost of mum past and pet thing. All posed for their Owen-Mills moment...since that overly posed depiction often "reflects" reality...right?
You might ask what does this painting mean...well, it is a bit of a satire of the "modern" nuclear family. After all we are all monsters...especially in our own families. This is a blended family...Dad and mum...a son from a previous marriage, three kids, mum's parents (giving disapproving glances to step-grandson), brother-in-law and his blended family, plus the ghost of mum past and pet thing. All posed for their Owen-Mills moment...since that overly posed depiction often "reflects" reality...right?
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